历史宏观西洋镜：烹饪地图集网格

一个复杂的多阶段视觉概念，旨在根据用户选择的成分生成 2x2 网格的“历史宏观立体模型”。它要求人工智能首先确定“时代纹理”（古代、文艺复兴、工业、现代），然后为凌乱的工作空间创建超详细的宏观照片。每个面板都有一本打开的书，里面有 2D 草图和成品饭菜的 3D 立体立体模型，还有发明家和竞争对手的精确时代的小雕像。

英文原文

Historical Macro Diorama: Culinary Atlas Grid

A complex, multi-phase prompt designed to generate a 2x2 grid of 'Historical Macro Dioramas' based on user-selected ingredients. It requires the AI to first determine an 'Era Texture' (Ancient, Renaissance, Industrial, Modern) and then create a hyper-detailed macro photograph of a messy workspace. Each panel features an open book with 2D sketches and a 3D pop-up diorama of a finished meal, complete with tiny period-accurate figurines of an inventor and a rival.

第一次写图片提示词？不用理解英文变量，按照下面的中文步骤补充画面要求即可。

适合用途: 信息图
建议模型: 通用模型
参考素材: 无需上传

开始填写这个模板

Role:Historical Art Director & Macro Photographer. Input: Invention or Rivalry = [User Choice] Phase 1: Chronological Profiling Before rendering, analyze the Year of the invention to determine the "Era Texture": If Ancient (e.g., 200 BC): Surface = Rough Stone or Papyrus. Light = Oil Lamp/Torch. Clutter = Clay shards, bronze chisels, scrolls, figs/grapes. If Renaissance (e.g., 1500): Surface = Dark Oak & Vellum. Light = Candle. Clutter = Quill feathers, wax seals, brass astrolabes, leather binding. If Industrial (e.g., 1890): Surface = Green Felt or Mahogany. Light = Gas/Filament. Clutter = Newsprint, pocket watches, copper wire, soot. If Modern (e.g., 1980): Surface = Formica or Metal. Light = Fluorescent/Neon. Clutter = Circuit boards, Polaroid photos, soda cans, plastic casings. Phase 2: Visual Execution Goal: A hyper-detailed "Macro Diorama" where the environment tells the story of the time period. Subject: A messy, chaotic workspace viewed through a macro lens. 1. The Stage (The Document): The "ground" is the primary design medium of that era The surface is filled with era-specific sketches/carvings of the invention. 2. The Living Miniatures: Two tiny, hyper-realistic figurines (The Inventor & The Rival) stand on this surface. They are dressed strictly in period-accurate clothing (Togas vs. Frock Coats vs. Turtlenecks). Action: They are interacting with a 3D Prototype of the invention that is rising physically out of the document/tablet. 3. The "Giant" Atmosphere (Dynamic Enrichment): The Wall: A massive background object establishing context (e.g., a carved stone stele, a tapestried wall, a vintage newspaper, or a stack of VHS tapes). The Tools: Giant-scale tools used to make the invention loom over the figures like trees (e.g., a giant chisel, a massive quill dipped in ink, or a soldering iron). The Debris: The mess of the creative process (e.g., stone dust, spilled ink, burnt fuses, or crumpled layout paper). The Comforts: Food/Drink of the era (e.g., an earthen jug of wine, a porcelain tea cup, or a can of cola). 4. Technical Specs: Lighting: Must match the "Era Light" determined in Phase 1 (Flickering warm fire vs. cold electric buzz). Perspective: Tilt-shift macro photography (45-degree angle). Texture: Extreme focus on material weathering (rust, dust, parchment cracks, or plastic sheen). Output: ONE image, 4:5 aspect ratio, "Historical Macro Realism."

Role:Historical Art Director & Macro Photographer. Input: Invention or Rivalry = [{argument name="user choice" default="User Choice"}] Phase 1: Chronological Profiling Before rendering, analyze the Year of the invention to determine the "Era Texture": If Ancient (e.g., 200 BC): Surface = Rough Stone or Papyrus. Light = Oil Lamp/Torch. Clutter = Clay shards, bronze chisels, scrolls, figs/grapes. If Renaissance (e.g., 1500): Surface = Dark Oak & Vellum. Light = Candle. Clutter = Quill feathers, wax seals, brass astrolabes, leather binding. If Industrial (e.g., 1890): Surface = Green Felt or Mahogany. Light = Gas/Filament. Clutter = Newsprint, pocket watches, copper wire, soot. If Modern (e.g., 1980): Surface = Formica or Metal. Light = Fluorescent/Neon. Clutter = Circuit boards, Polaroid photos, soda cans, plastic casings. Phase 2: Visual Execution Goal: A hyper-detailed "Macro Diorama" where the environment tells the story of the time period. Subject: A messy, chaotic workspace viewed through a macro lens. 1. The Stage (The Document): The "ground" is the primary design medium of that era The surface is filled with era-specific sketches/carvings of the invention. 2. The Living Miniatures: Two tiny, hyper-realistic figurines (The Inventor & The Rival) stand on this surface. They are dressed strictly in period-accurate clothing (Togas vs. Frock Coats vs. Turtlenecks). Action: They are interacting with a 3D Prototype of the invention that is rising physically out of the document/tablet. 3. The "Giant" Atmosphere (Dynamic Enrichment): The Wall: A massive background object establishing context (e.g., a carved stone stele, a tapestried wall, a vintage newspaper, or a stack of VHS tapes). The Tools: Giant-scale tools used to make the invention loom over the figures like trees (e.g., a giant chisel, a massive quill dipped in ink, or a soldering iron). The Debris: The mess of the creative process (e.g., stone dust, spilled ink, burnt fuses, or crumpled layout paper). The Comforts: Food/Drink of the era (e.g., an earthen jug of wine, a porcelain tea cup, or a can of cola). 4. Technical Specs: Lighting: Must match the "Era Light" determined in Phase 1 (Flickering warm fire vs. cold electric buzz). Perspective: Tilt-shift macro photography (45-degree angle). Texture: Extreme focus on material weathering (rust, dust, parchment cracks, or plastic sheen). Output: ONE image, 4:5 aspect ratio, "Historical Macro Realism."