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生成示例

社交媒体 · 产品营销

野兽派立交桥下的高对比度纪录片照片

描述生成从模拟胶片扫描的高对比度黑白纪实照片的详细概念。它的特点是一个主题（通过参考图像锁定身份）站在一个巨大的野兽派混凝土高速公路立交桥下，强调基础设施的规模和冷酷的、档案性的街头摄影氛围。

英文原文

High-Contrast Documentary Photo Under a Brutalist Overpass

A detailed prompt for generating a high-contrast, black-and-white documentary photograph, scanned from analog film. It features a subject (identity locked via reference image) standing beneath a massive brutalist concrete highway interchange, emphasizing the scale of infrastructure and a cold, archival street-photography mood.

第一次写图片提示词？不用理解英文变量，按照下面的中文步骤补充画面要求即可。

这个提示词需要上传参考图片

适合用途: 社交媒体
建议模型: 通用模型
参考素材: 需要上传

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用这个模板开始创作

选择模式后，页面会自动整理成可复制的完整提示词。

1选择用途
2补充内容
3复制生成

为你整理的提示词

中文增强版

修改提示词变量

实时更新

speed limit

变量替换结果

English

High-contrast black-and-white documentary photograph, scanned from an analog film print/book at high resolution, with subtle film grain, faint dust specks, and slight print texture. A wide-angle or fisheye lens creates visible curvature in the elevated roadways as THE_SUBJECT from the uploaded reference photo stands centered in the lower-middle foreground beneath a massive brutalist concrete highway interchange in the United States. THE_SUBJECT’s appearance must match the reference image exactly with zero deviation—no changes to face, hair, clothing, accessories, body type, or expression. The camera is eye-level with deep focus, keeping THE_SUBJECT and distant background elements sharp. Towering reinforced-concrete piers and curving interstate overpasses dominate the upper frame, forming a strong V-shaped architectural canopy above THE_SUBJECT, emphasizing human scale against infrastructure. Overcast daytime skylight provides soft, diffused overhead lighting, while gritty high-contrast processing delivers rich blacks and controlled highlights. Rectangular U.S. speed-limit signs reading “SPEED LIMIT 55” are visible on the elevated roadways. The environment includes worn asphalt and concrete pavement with a slight damp sheen in the foreground, leafless trees in the distance, parked box trucks and utility vans, and older urban residential buildings in the far background. The overall mood is cold, industrial, and somber, with a stark, archival street-photography feel.

来源原文

未修改

High-contrast black-and-white documentary photograph, scanned from an analog film print/book at high resolution, with subtle film grain, faint dust specks, and slight print texture. A wide-angle or fisheye lens creates visible curvature in the elevated roadways as THE_SUBJECT from the uploaded reference photo stands centered in the lower-middle foreground beneath a massive brutalist concrete highway interchange in the United States. THE_SUBJECT’s appearance must match the reference image exactly with zero deviation—no changes to face, hair, clothing, accessories, body type, or expression. The camera is eye-level with deep focus, keeping THE_SUBJECT and distant background elements sharp. Towering reinforced-concrete piers and curving interstate overpasses dominate the upper frame, forming a strong V-shaped architectural canopy above THE_SUBJECT, emphasizing human scale against infrastructure. Overcast daytime skylight provides soft, diffused overhead lighting, while gritty high-contrast processing delivers rich blacks and controlled highlights. Rectangular U.S. speed-limit signs reading “{argument name="speed limit" default="SPEED LIMIT 55"}” are visible on the elevated roadways. The environment includes worn asphalt and concrete pavement with a slight damp sheen in the foreground, leafless trees in the distance, parked box trucks and utility vans, and older urban residential buildings in the far background. The overall mood is cold, industrial, and somber, with a stark, archival street-photography feel.

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