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社交媒体 · 漫画分镜

四角度电影面板组合

一个复杂的视觉概念，旨在生成一个电影图像，分为四个水平面板，每个面板从不同的摄像机角度显示相同的场景和主题：鸟瞰、侧面特写、极端特写和中广角背面镜头。这适用于高端编辑电影片段构图。

英文原文

Four-Angle Cinematic Panel Composition

A complex prompt designed to generate a single cinematic image divided into four horizontal panels, each showing the same scene and subject from a different camera angle: bird’s-eye, side close-up, extreme close-up, and medium wide back shot. This is intended for high-end editorial film-strip compositions.

第一次写图片提示词？不用理解英文变量，按照下面的中文步骤补充画面要求即可。

适合用途: 社交媒体
建议模型: 通用模型
参考素材: 无需上传

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选择模式后，页面会自动整理成可复制的完整提示词。

1选择用途
2补充内容
3复制生成

为你整理的提示词

中文增强版

这条提示词没有可单独替换的变量，你仍然可以复制后直接修改。

变量替换结果

English

Create a single cinematic image divided into four horizontal panels, each panel representing a different camera angle of the same scene and subject.
All panels must be visually cohesive in lighting, color grading, and atmosphere.
Top panel – BIRD’S-EYE SHOT:
A top-down overhead view, perfectly vertical camera angle, emphasizing spatial layout and geometry.
Second panel – SIDE CLOSE-UP SHOT:
A close-up shot from the side profile, shallow depth of field, focusing on facial or object details with cinematic compression.
Third panel – EXTREME CLOSE-UP:
An extreme close-up capturing fine textures and micro details, filling the frame almost abstractly.
Bottom panel – MEDIUM WIDE BACK SHOT:
A medium-wide shot from behind the subject, showing posture and environment, cinematic framing, strong sense of depth.
Clean horizontal separations between panels, editorial film-strip composition, high-end cinematic still, consistent subject identity across all panels.

来源原文

未修改

Create a single cinematic image divided into four horizontal panels, each panel representing a different camera angle of the same scene and subject.
All panels must be visually cohesive in lighting, color grading, and atmosphere.
Top panel – BIRD’S-EYE SHOT:
A top-down overhead view, perfectly vertical camera angle, emphasizing spatial layout and geometry.
Second panel – SIDE CLOSE-UP SHOT:
A close-up shot from the side profile, shallow depth of field, focusing on facial or object details with cinematic compression.
Third panel – EXTREME CLOSE-UP:
An extreme close-up capturing fine textures and micro details, filling the frame almost abstractly.
Bottom panel – MEDIUM WIDE BACK SHOT:
A medium-wide shot from behind the subject, showing posture and environment, cinematic framing, strong sense of depth.
Clean horizontal separations between panels, editorial film-strip composition, high-end cinematic still, consistent subject identity across all panels.

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